Six days in Kashmir – travelling in the heart of Paradise Lost — Part I

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Picturesque Nagin lake, Srinagar

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What to expect from a vacation trip? I believe, nothing except experience. You can’t go wrong with that. Sometimes luck brings you a treasure trove, and sometimes you need to seek value from a discard like a keen bird gathering for its nest where every straw counts. Before planning a trip to the Kashmir valley this January, I had imagined nothing — built no castles in the air. Given that the trip was based on a whim, the experience was far more rewarding than anything I had expected. After spending six days travelling in the valley, I have returned with a refreshed sense of responsibility — to humanity and nature. You can’t plan such a pilgrimage.

I am reminded that some things must be shown, some tales must be told, for there’s a lot at stake. When silence is the only recourse for so many, ones who have a voice must speak.

Kashmir — once the only heaven on earth and now a lost paradise — is a land of strange paradoxes. As limitless and conspicuous as is the beauty and serenity of the Kashmir valley, equally vast is the shroud of the terror and corruption that plagues the land and its people. You have to be blind to not see this, and heartless to not acknowledge it. What I saw is etched in my memory and no night has passed since without dreams of Kashmir; haunting and beautiful.

Amir Khusrau’s famous couplet on Kashmir is no exaggeration:

“Agar firdaus bar roo-e zameen ast, Hameen ast-o hameen ast-o hameen ast” Truly, “if there is paradise on earth, it is here, it is here”

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Glimpse of the panorama as seen from first level of Gulmarg’s ski slopes

If you are flying to Srinagar from New Delhi, an hour before you land, you can see the tip of the majestic nature that awaits you as folds of snow-peaked Great Himalayan range begin to tower in the east. If the weather is clear, you can even trace the Karakoram range in the horizon.  Enclosed by lofty, gleaming snow-clad mountains, the Kashmir Valley appears as a wizard’s cove, and as the plane starts to descend, diving into the thick blanket of clouds hovering over the valley, to touch the Srinagar airport’s runway a sensational feeling grips you. It’s magical!

Reality sinks in once you land. Truly, it is another world.

Having spent all my childhood at army cantonments, armed men was a common sight. But the heavy presence of armed personnel in civilian areas in Srinagar is unmatched. Even in the depth of harrowing winter, when the political machinery and the VIP movement is restricted to the relatively warmer region of Jammu, summer Capital Srinagar is made to appear on a perpetual alert – flashlights follow array of beacon cars searching traces of fear, while marching soldiers quell an uneasy calm.

Dressed in DP camouflage bulletproof jackets over khakis, the CRPF clearly makes no effort to blend in. Years ago, when CRPF wore a full DP camouflage uniform in Srinagar, Omar Abdullah, J&K Chief Minister, thought it was a bad idea to patrol cities in war fatigues and suggested switching to khakis. It might have lessened the terror somewhat. As a tourist you can brush off the sight of armed men as an eyesore on a beautiful landscape, but the residents of Kashmir valley know that terror can come dressed in any uniform. Yet life must be lived and business must be carried on as usual. Is that true grit or hopeless servitude? — one of the many paradoxes.

CRPF jawans in Srinagar, braving the chill, perhaps with a joke.
CRPF jawans in Srinagar, braving the chill, perhaps with a joke.

Regardless of whatever happens in Kashmir, it is certainly safe for tourists. You will live in a bubble of serenity. My boyfriend and I found ourselves one too – Heaven Breeze houseboat situated at Nagin lake, which wins hands down as a more scenic, clean and quiet place to stay than the famous Dal lake, to which rowdy, inebriated tourists (especially from North India) swarm to like bees, even in winter. Only after a visit to the Dal lake did I understand what our houseboat owner, Mr Shafi Shangloo, meant by calling Nagin a “European taste”. In his words, it is truly “without hassle”.

Sunset at Nagin
Sunset at Nagin
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View from houseboat deck

Currently, the J&K government is on a drive to clean the lake and lift some settlements from the lake. New houseboats can’t be built. None on Nagin for sure. After years of militant insurgency, the State whose maximum revenue comes from its tourism industry is slowly recovering but still reeling, creating an ideal breeding ground for corruption and antagonism. On our arrival at Nagin, we noticed only warm hospitality and beauty, but when we got around talking to the lake residents we learnt of a recent tragedy borne out of such corruption.

On January 2, warming ourselves near a bukhari with freshly brewed Kashmiri kahwa, everything seemed tranquil. Perhaps, it was gravity misunderstood. Nearby, in procession was a funeral of a man who had bribed government officials for a permit to build a settlement on Nagin. After an initial nod, the permit was revoked on the day we arrived, and having lost all his investments and bribing to no avail, the man succumbed to a weakened heart. Reporters of local media came to cover the mishap, but the next morning’s news carried no hint of it or of any of the issues that we were to come across during the next few days of our stay. Galat kiya na! Aisa usko allow kyun keeya jab sabko manaa hai? Yahan sab sarkaari log paisa khata hai. Kashmir unka jaagir hai. Kya karega?!”, said our driver Mushtaq the next day, advising that we should rather enjoy our hard-earned holidays. So, we shrugged and went with the flow. 

The first day itself we discovered our favourite activity in Kashmir — Shikara ride. You can spend long hours, at least afternoon to evening, rowing across the two lakes. It will cost INR300-400 per hour and two hours (if you are also rowing along with the Shikara man) to reach Dal’s floating market from Nagin. Rowing in the placid lake has a meditative feel, like in any ritual and routine. You also get to soak in the last rays of the setting sun and observe the lake’s wildlife. For these moments, life stands still. 

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Settlement near the floating market at Dal lake pictured at sunset
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Sunset at Dal’s floating farms
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Family returning home crossing a wooden bridge at Nagin
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Some sign of sunshine after days of mist and snow
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Local women rowing a shikara, a common way to commute at the lakes
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Smoking a hukkah, lotus farmers harvesting lotus stems from plantations at Dal lake
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Farmer harvest lotus stem in Dal lake
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Angry bird… hehe
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Kashmiri hawk
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Ducks in a row

Rowing back to our houseboat, Ghulam Ahmed sahab, our elderly shikara man, invited us over tea to his house. What with the sharply dipping mercury, only a fool would have declined the offer, while we were only too eager. Unacquainted with Kashmiri traditions, I followed my boyfriend’s lead, who in turn followed Ghulam sahab.  As most Kashmiri homes are carpeted, with either elaborately designed handmade carpets or modest coverlets, civilized conduct calls you remove your shoes before you step in. But it’s always the inter-cultural pleasantries that are tricky. Nevertheless, I took a leap, and embraced the first woman I met – Ghulam sahab’s wife. Delighted with the familiar gesture, she planted half a dozen kisses on my cheeks. And as for the menfolk, I learned, as a non-Kashmiri woman, a firm handshake works beautifully. But I was ill at ease until Ghulam sahab’s daughter prodded me to shake her brother’s hand. Some awkward laughter and several cups of tea later we settled to click pictures for keepsake. There were again peals of laughter as the elderly couple posed for us; something unpretentiously romantic. 

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Family picture with Ghulam Saheb

Besides the Shikara business, the family runs a small grocery shop adjacent to their home on Nagin lake, and the women in the family — Ghulam’s wife, daughter and daughter-in-law — spin Pashima yarn at home for local shawl factories. As we bade our farewell to the family, we promised to return for their daughter’s wedding. But first a suitable groom must be found, she joked. If not funny, her remark was definitely telling of the current situation in the Kashmir Valley, where young marriageable girls outnumber marriageable men, so finding a groom is always challenging. 

The next day, on our way to Sonamarg, our driver, Mushtaq bhai, happened to touch upon this issue. Years of violent insurgency and military crackdown had taken the lives of many young men, as many were led astray to fight for militants, for ideals, for money, for blood feud, and in the name of injustice – which can’t be completely denied. Many more are still missing or dead in fake encounters. Of the ones who did not take up arms, many fled the valley to other parts of country and abroad to earn a livelihood or for security. This accounts for higher than national average of female sex-ratio in several militancy-hit districts of Jammu and Kashmir, where the number of half-widows is also significant.

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Enroute Sonamarg

But overall the state is now witnessing an alarming fall in the female ratio. In 2001 census, it was 941 females: 1059 males, in 2011 it was 862 females : 1138 males, with 22 districts including Srinagar recording significant drop in the number of girl children. In a state where once religion and society forbade abortion, parents are choosing boys over girls through pre-natal testing and illegal abortion as they see a bleak future for their daughters. Couple this with economic hardships, and what stares back at you is another paradox: on one hand, as a woman you could walk down the streets of Srinagar or any part of Kashmir and no man would dare to look at you, forget about groping, misbehaving or harrassing you– it is so safe — and on the other hand the civilians live under perpetual fear of sexual atrocities unleashed on their women by what I call the terror nexus — the security forces, police, foreign agencies and militant groups. The social fabric of Kashmir, that of tolerance and respect, not only towards women but also other religions, has been fraying as Kashmiris struggle to hold onto their culture.

As we crossed the the Kashmir University campus, Mushtaq bhai pointed out, “yehin pe pade sab. Jo zyada padd likh gaya woh samjh gaya ki uske saath naa-insaafi ho rahi hai. Pakdi usne bandook phir. Kya karta? Galti toh hua na. Yahan ka log nadaan hai, behla phusla liya.” On the boundary wall of the university campus there are traces of graffiti, many reading “Aazadi” — meaning freedom. Few fresh, some whitewashed, and several gradually effacing with time and nature, emblematic of the turning tide in Kashmir. Even if for a brief spell, their is a semblance of normalcy in the valley and many Kashmiri muslims who had fled are returning back to work there. Mushtaq’s youngest son is a law graduate from Kashmir University, but never practiced the profession as with the turbulent times of the past decade jobs were hard to come by. This worried Mushtaq, as he felt that his unemployed educated son could be easily swayed to join militant or separatist groups, like many educated young boys in Kashmir did. The only way he thought he could prevent this was by keeping his son involved in work, so he got him a car on a loan to drive as a tourist taxi. He tells he faced staunch criticism from his friends and relatives for pushing his educated son into this business, but persisted as he knew this was best for him. As it turned out, it indeed was. After driving the tourist taxi for almost four years, with the help of his elder brother, he opened a small travel agency which is now reaping them benefits. Mushtaq himself served with the J&K government as a driver, but took an early retirement to be closer home in Srinagar. Besides, he jokes that he likes being his own boss. “Sarkari afsar logon ka kuch imaan nahi. Mulazim ko insaan hi nahi samjhte,” he says. If not absolutely happy, he is somewhat relieved to have normal times in Kashmir and firmly believes that it is tourism that can turn the tables here.

Unfortunately, tourism is one thing that has been badly struck in the state. If not absolutely dead, the industry is yet to be developed in many ways to compete with other popular tourist destinations across India. For example, few miles out of Srinagar towards Sonamarg you are still guessing if you have hit the Srinagar-Leh National Highway 1D, as no four-lanes, or even bleakly-marked safety signs appear. “If you can’t provide good roads to tourists, what’s the point,” says Mushtaq. There are no public facilities like toilets either. Mushtaq tells that he sometimes requests the locals to let his tourists use toilets in their home. “People are good here, they welcome tourist without any self-interest. Where else would you see such hospitality,” he adds. More than anything, he hails the spirit of the tourists, even foreigners, who love Kashmir so much that they rarely complain of the sub-standard facilities in there. “Everyone knows what is the problem here, they understand, but we feel bad to have them face such conditions.”

Development of the highway and the area around it has always been a bone of contention in the state. Unlike other national highways that are under National Highway Authority of India it is managed by Border Road Organisation, whose funds and infrastructure building capacity are a trifle as compared to the former. The modest results are the real testimony. Of course, you have to grant the hardship of working under adverse climatic conditions. Besides, there are more things to consider. Amid the snow-covered fields lay another evidence of an unfinished promise: the promise of connecting Jammu, Kashmir, Leh and Bilaspur with railway. As you move along the highway, on your right you can see Indian broad gauge tracks laid in the fields. Once completed, trains would chug along the route from Srinagar to Leh via Kargil. Besides, the strategic importance of the route, it is pitched as the most challenging project undertaken by Indian Railways since its completion of Konkan Railways almost 20 years ago. You can’t help but feel reverence towards the Chinese who managed to build The Qinghai–Tibet railway years ago.

My boyfriend and I exchanged several glances with muted acknowledgement of the unfortunate situation of Kashmir and the heartbreaking beauty of the place, which smote our hearts forever. Though my ears had pricked up at the conversation in the car, I found it impossible to turn away from the window. I wanted to capture all the fleeting images of the blanched landscape and the corn fields hidden under 4-foot-deep glimmering snow. As a kid, if someone would have said that there lay mines of infinite riches, pearls, silver and diamonds, I would have believed. There were several ponies — grey, brown, black and white as unicorns — grazing amid the snow that made the fantasy world complete. Just as I let myself drift away, someone threw a spanner in the works, and that dream wheeling came to an abrupt end. People of a village straddling the highway had blocked the road ahead. They were protesting against the unending power cut they had been facing for days in these freezing temperatures. Soon cars, trucks and buses began to line up and our driver drove us off the road and parked the car on a slip-lane . He said he did not want to take a risk as anything could happen in such protests, especially if the tussle gets ugly between the people and the police. So we waited, and watched the police disperse the crowd to at least open the highway. Insofar, it seemed to resolve peacefully and we were back on our track in sometime.

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Little Hobbitses hooked on to the spectacle of a protest and traffic jam enroute Sonamarg
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Fairyland, Village Gund

But Sonamarg, like those things that are just not meant to be, did not materialize, because something exceptional was in store. Almost 20 kms short of Sonamarg, the route had been closed by the authorities citing landslide warning after fresh snowfall on the mountains, hence tourists were forbidden beyond a small village-town called Gund on the highway. The small Gund market was crowded with tourists, bus drivers, truckers and cabbies, and tea shops were buzzing with activity, making every moment count of the blessing in disguise — it was time for brisk business for the locals. And that’s when Irrfan approached our cab and asked if we wanted to go for a pony ride, quoting Rs500 for two people. Of course we did! As we shook our hands on the deal several pony owners cornered Irrfan saying he could only take one person for that amount as that was the standard rate there, which I assumed was local bad-boys bullying routine. Since a lot had happened throughout the day, and we did not want to dampen what little was left of the fun outing, we decided to pay as per the village bullies. So off we went — Irrfan and one of the bully’s little minion on foot, with my boy friend on his pony and I on another pony of one of the bullies in tow. We beamed at the thought of another ‘Jab Jab Phool Khile’ moment. I can now firmly attest that no movie has managed to capture the romance of Kashmir and influence our imagination forever as it did. And there I was, humming  “ek tha gul aur ek thi bulbul…”. 

Irrfan being the perfect guide he was gave us a quick verbal tour of the place — form tourists hot spots to virgin locales. When we asked him to take us to his favourite place, he happily steered the ponies towards his home. Away from the hustle-bustle, we detoured uphill through a small lane covered with 2-foot deep snow. The ride to his humble abode in Kollu mohalla will always be one of the most memorable experience in Kashmir. 

Following ponies to their home in Kollu Mohalla
Following ponies to their home in Kollu Mohalla
Warm Welcome
Warm welcome

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Kids of Kollu Mohalla love to be clicked

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To be continued…

Suspend your disbelief

Must-watch films about magic, ghosts and surrealism

Before I begin, there’s a recap, some poetry and confessions of being loserly cool. So, you may choose to skip this.

As a kid, seeing pictures in motion was like seeing magic. Talking heads, walking legs and blinking eyes trapped in a box queerly called TV was almost supernatural. I would pull the curtains, darken the room and wait for the neon lights to take over. Those flickering blue, green and red beams of rapid montages were my idea of Midas touch. Everything they touched became neon.

At a flashback, life was simple before I understood much about motion pictures. Once I did, I became awfully difficult to please. You may call it being fastidious; it’s something more than just being a tad fussy. Watching TV is now agonizing; I hold my breath and grind my teeth. Going to theaters to watch a movie that I doubt makes me nervous, and a company I don’t prefer leads to hunger pangs, hiccups and lots of pissing, way beyond the interval.

I take cinema too seriously and that’s a serious problem — my friends think. Since I’m incorrigible, I suggest they give up and watch something ‘serious’, which I do to butcher time, so that doesn’t count as entertainment.

Solution: Lasso my interest.
Let’s watch something that accomplishes suspension of disbelief brilliantly.

Willing suspension of disbelief is one of the oldest formula for justifying fantastic and non-realistic elements. It often applies to fictional works of action, comedy, science fiction, horror and fantasy. The term was coined by English poet and aesthetic philosopher Samuel Taylor Coleridge. While working on the Lyrical Ballads with fellow poet William Wordsworth, Coleridge wanted to revive fantastic elements in poetry (which he eventually did with poems like The Rime of the Ancient Mariner, Christabel, Kubla Khan et al).

Coleridge came up with this formula suggesting that if a writer could infuse a “human interest and a semblance of truth” into a fantastic tale, the reader would suspend judgment concerning the implausibility of the narrative.

For obsessive nerds: Coleridge recalled in Biographia Literaria, published in 1817: 

“… It was agreed, that my endeavours should be directed to persons and characters supernatural, or at least romantic, yet so as to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief for the moment, which constitutes poetic faith. Mr. Wordsworth on the other hand was to propose to himself as his object, to give the charm of novelty to things of every day, and to excite a feeling analogous to the supernatural, by awakening the mind’s attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us …”

Coming back to films and motion pictures, the ones that excel in suspending disbelief (at least mine) are either animations (I love cartoons) or these fantastic films, which I recommend as must-watch magical realism/fantasy films.

1. Pan’s Labyrinth:

Brutal yet beautiful – the 2006 Spanish dark fantasy film is set against the backdrop of Spanish Civil War. It’s directed by filmmaker Guillermo del Toro (Remember Hellboy, he made it!). The film begins with a typical fairytale plot. It’s war-time, a young girl and her mother are displaced from their home. The only place they have to go to is a military camp, commanded by the mother’s second husband — an evil man, whose child the mother is carrying. Vulnerable, young and naive, the girl is largely on her own once they reach the camp. Amid fascist hatred, deceit, violence and other perils, help comes her way from ‘expected’ quarters — servants and Pan, who replaces the fairy godmother for all the wrong reasons in this fairytale. Now, whether the young girl should believe them, is what’s going to keep you on tenterhooks.

Thematically, it’s a well-crafted film, and you’ll discover intelligent inspirations from folklore, occult and myths: A young girl is wandering alone in an enchanted forest, loses her way in a labyrinth and enters another world that she finds hard to escape — once you join these dots, you’ll have a basic outline of Lewis Caroll’s Alice in Wonderland. This is a murkier and sinister version with Pan as the epicenter of havoc, and a legend to hold it all together. Pan is the Greek god of wild, shepherds and flocks, nature, hunting and rustic music. He is recognised as the god of fields, groves, and wooded glens; because of this, Pan is connected to fertility and the season of spring. As the girl’s mother is undergoing difficult pregnancy, the choice of Pan as the garbed enemy is perfect. Rather, taking a Greek god and making him a demon is a brilliant antithesis.

2. Devil’s Backbone: 

What is a ghost?

A tragedy condemned to repeat itself time and again. An instant of pain, perhaps. Something dead, which still seems to be alive. An emotion suspended in time. Like a blurred photograph. Like an insect trapped in amber.

The ghost story by Guillermo del Toro begins with this evocative definition of a ghost; perhaps the best you’ll ever know.

After this ominous beginning, a bomb drops over a doomed orphanage — someone dies and what follows is kept hush-hush. While the orphanage, stricken with poverty and misery, is desperately trying to fight the demons of its past, with the Spanish Civil War crippling the nation there’s another danger looming over it. In short, there’s a lot happening in that isolated fortress of misfortune, which is located in the middle of nowhere. However, call it class filmmaking, you won’t be burdened with too much information. You’ll know only as much as the film’s characters do, nothing beyond.

Treachery, deceit, passion, innocence, youth, faith and loyalty – all human follies, rather tragic flaws, are put to their best in a thoughtful plot. This makes it a more telling film about human nature than Pan’s Labyrinth. So, calling it just a ghost story is unfair. The performances by actors, direction and editing do complete justice to the plot. As there’s an element of suspense in the film, delving into more details would be criminal. It’s my favourite film in the horror genre; a must-watch for frail hearts too.

3. Black Swan: 

This film’s in the list for many reasons.

To begin with, the film is directed by one of my favourite directors Darren Aronofsky. Secondly, I’m obsessed with Audrey Hepburn. So seeing Natalie Portman in a evil Hepburn-esque getup in the movie’s first still that I saw intrigued me.

Although, this is not my favourite Aronofsky film, it comes closest to the best one, which is Requiem For A Dream.
On one hand, Requiem For A Dream is a genre in itself (sheer brilliance), Black Swan is a psychological horror-thriller that derives layers of inspiration from performing arts and literature. So, for lit-buffs, there’s plenty of cud to chew, every time you watch the film.

Black Swan revolves around the theatrical production of Russian composer Pyotr Ilyich Tchaikovsky’s Swan Lake. You’ll find Portman giving the most compelling performance of her life as ballerina Nina Sayers who’s struggling with fame, competition and her worst opponent – her own immoral doppelganger.

As for literary inspirations, I had just finished reading Dostoyevsky’s Notes from Underground when I watched the film, so I found the ballerina’s psychological state, particularly the ‘inner voice’, inspired from the works of the writer – especially the narration style, spiritual and political (read financial/career) influence. But I brushed off my hunch as a coincidental thing. Later, I read in an interview that the auteur had been inspired by Dostoyevsky’s The Double.

Since the film is theatrically tragic, don’t be surprised to find a strong connection with Shakespearean tragedies. Nina has the quintessential tragic flaw of Shakespeare’s tragic heroes, especially Macbeth. In fact, her doppleganger plays the role of Lady Macbeth inciting her to do evil. Despite seeing supernatural portents and hallucinations — especially the ones seen in the mirror where Nina sees her skin peel off to grow black spike plumes — she gives in to lures of ambition. Such hallucinations are similar to the ones Macbeth saw, for example seeing the bloody dagger before Macbeth murders King Duncan.

There’s a lot to say about the film, and I have probably exceeded your patience. So, watch it.

4. The Fountain:  This is another unusual and fabulous film by Aronofsky. It melds a medical drama with mystical and mythical elements, yet pulls it off brilliantly. Hugh Jackman, who plays a medical scientist in the film, is trying to find a cure for his terminally ill wife (Rachel Weisz) and works day in and day out in his lab waiting for a medical breakthrough. I am not a medical genius, but I believe it’s some sort of stem cell breakthrough he’s hoping to achieve, and that’s where the ‘tree of life’ in the film comes in as the mystical connection. There is some Mayan mythology stuff too, something which does not interest me much. The film is a good watch. Maybe, you’ll discover more nerdy inspirations.

4. Big Fish: The surreal fantasy film is based on a novel of the same name by Daniel Wallace and is directed by Tim Burton. The film is based on something very simple, something we all experience — inability to trust something, especially if it is absurd and seems irrational, even though it is true. The film is based on a father-son relationship, but transcends that because of this universal human issue.

The story is about a son who does not believe the absurd tales that his father has been telling him and others over and over again. His father says that the day he was born, he was out catching an enormous uncatchable fish, using his wedding ring as bait. It’s only when the young man’s father suffers from a stroke that he begins to trace his father’s life and learns that his father is not a liar, but great storyteller. He made mundane occurrences of life memorable with his tales, of course by adding some spice. It’s a beautiful film of acceptance, and makes you want to ‘believe’. Not many films make you feel like that.

5. The Fall: Directed by Tarsem Singh, the film is based on a screenplay of a Bulgarian Film, Yo Ho Ho.

I liked this film in bits, by which I mean the parts where Lee Pace, the protagonist, tells a little girl fantastic tales. But what I love is the portrayal of the young girl’s imagination, her inquisitiveness and he gullibility –  somewhere I could relate to it.

Overall, the film is a bore. But one could watch it for fantastic cinematography and some warm moments. For fantasy lovers, it falls in the ‘essential watch’ list.

Seeking Realism in Magic: Fairytales for Adults

nce upon a time, I loved fairytales. No different from others, I have come of age (albeit, with a sore sting in the tale) and fairytales are now reminders of my childhood — times when I genuinely believed in magic, mermaids and the myth of Prince Charming.  For having believed in illusions, I suppose, that’s a fair enough outcome — you either grow up bitter or refuse to ever grow up.

What’s worse? I am of the Disney generation, therefore invariably, I grew up disillusioned by the fantasy-maker’s larger-than-life tales, which now seem ludicrously too-good-to-be-watched (unless, I’m doing that in a desperate attempt to entertain a neighbour’s dissatisfied toddler thrust on me on every holiday).

A cover of Household Stories by Grimm Brothers

Forget believable, the Disney fairytales aren’t even original! Sleeping Beauty, Snow White and the Seven Dwarfs, Hansel and Gretel, and suchlike household tales are borrowed from The Brothers Grimm fairytales. The Walt Disney Company packaged the Grimms’ tales as a professional 20th century fantasy-maker would, and made it more salable to a generation that was already hooked on television. Grandeur, finesse, stunning graphics, music, celebrities, etc, were added; but the biggest twist in the tales was the ‘lived happily ever after’ climax — a end, an epitaph, something the Grimms never intended.

Anyone who has read the Grimms’ tales would be aware of the prevalence of violence, gore and sex in them. For example, in the Kinder- und Hausmärchen, The Grimms’ version of Snow White ends with a bloody description of the evil queen’s death caused by her red hot shoes, and there’s a gut-wrenching episode of a man being thrown on a bed of nails. The Grimms’ version of Rapunzel was also more realistic: The prince wasn’t going to risk his life and climb up the tower for nothing – the lovers did hit the bed; in one version, Rapunzel also conceived twins as a result of the secret copulation.

Although, later versions of the Grimms’ fairy tales were edited to suit the younger audience/readers, the stories remained ‘too bold for children’. Hence, when Disney decided to reproduce them as entertainment for children, they employed their shears to cut out all allusions to adult material. Chaste and beautiful, the tales had no violence, betrayal or sex, and definitely there was no reality.

However, these omissions caused worrisome gaps in the stories. Nothing comes from nothing, so how does one explain the consequences of ‘bad’ behaviour without showing the bad behaviour? To escape the tedium of explaining the action-result phenomenon, hurling the magical wand was the simplest thing to do. And, it worked very well to show that ‘somethings’ are just magical. At this point, magic and realism in the fairytales (as we know them) were separated.

So, does this mean that magic and realism in fairytales can’t coexist? Untrue! The tales that The Grimms wrote were inspired from the lore, some folk, which were perhaps exaggerated accounts of real happenings, narrated to them by women from different walks of life. There was reality, however magnified, in them. It was raw and brutal lore!

Many writers, such as Franz Kakfa, Gabriel Garcia Marquez and Salman Rushdie (lately, Haruki Murakami) to name a few, have churned brilliant works of magical realism. Visual art of course has been a pioneer in this genre, as more than writers, artists have popularised the term. As an adult, I love the magical realism novels. Lately, I have come across magical realism cinema, and I feel it’s much more sophisticated than the action-fantasy genre (young-adult flicks like Twilight and Hunger Games are nowhere in the gamut).

To know my favourite Magical Realism or adult fairytale films, watch out for my next post.